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Richard Barnfather
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The Figure
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Hazel portrait project
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Richard Barnfather
Home
About
Current Work
The Figure
Portrait Projects
Hazel portrait project
Digital Media
Commercial and Puclic Art
Still-Life
Abstract
Teaching and Courses
Student gallery
Teaching examples gallery
Print gallery
Contact
Login Account
Home
About
Current Work
Folder: Projects
Back
The Figure
Portrait Projects
Hazel portrait project
Digital Media
Commercial and Puclic Art
Still-Life
Abstract
Folder: Teaching
Back
Teaching and Courses
Student gallery
Teaching examples gallery
Print gallery
Contact
Login Account
4 Prompts for Starters View fullsize
4 Prompts for Starters (2) View fullsize
Light effects using tinted acetate View fullsize
Reflections using tinted acetate View fullsize
‘Box’ theme, light/shade experiment View fullsize
Light effects on transparent and translucent surfaces. White media on dark grey paper View fullsize
Comparison of two acrylic paintings of a leafless tree with colorful foliage around its trunk, numbered 1 and 2. Painting 1 has a blue sky background with a mix of warm and cool colored leaves and branches. Painting 2 depicts a brighter scene with a View fullsize
Atmospheric perspective, using layering View fullsize
Atmospheric depth, muted colour, layers View fullsize
Waterlilies base on Claude Monet View fullsize
‘Monet lilies sequence View fullsize
Abstract flowers examples View fullsize
Exploring shapes using expressive ink View fullsize
Using sounds as stimulus for drawing View fullsize
Simple shapes using ink effects View fullsize
Warm-up atmospheres View fullsize
‘Pears’ using specific colour combos View fullsize
Apple sequence View fullsize
Landscape sequence View fullsize
Landscape sequence final piece View fullsize
Simple landscape View fullsize
Starting point for fragmented still-life collage View fullsize
Collage created through rearrangement of cutout fragments View fullsize
Using expressive paint methods View fullsize
Colour exploration for Foundation Year View fullsize
Layering and warm-ups View fullsize
Sequence leading to Hazel portrait final piece View fullsize
Sequence of layers leading to final painting View fullsize
Cubism ideas View fullsize
Mark making/scraping View fullsize
‘With an apple, I will astonish Paris’ Cézanne View fullsize
Exploring colour combos on cylendar shapes View fullsize
Stencilling View fullsize
Figures in movement; static/dynamic, ink View fullsize
Compositional starting points, layering View fullsize
Paint effects View fullsize
Cubism collage idea View fullsize
Cubism ideas View fullsize
Cubist idea View fullsize
Ground and layering to suggest volume View fullsize
Stencilling layers View fullsize
Cubism ideas View fullsize
Layering View fullsize
Exploring tone through layering View fullsize
Composition based on colour combos View fullsize
Transitions using varied paint methods View fullsize
Figures, acrylic, based on the ink studies View fullsize
Face based on Zorn colour palette and Seurat pointillist style View fullsize
Cézanne style using a colour ground View fullsize
Cézanne style using a colour ground View fullsize
Self portrait using sponge and stencil View fullsize
Heads exploring colour combos View fullsize
Exploring colour mixing View fullsize
Sequence demonstrating simplification of shapes View fullsize
Complementary relationships View fullsize
4 Prompts for Starters
4 Prompts for Starters (2)
Light effects using tinted acetate
Reflections using tinted acetate
‘Box’ theme, light/shade experiment
Light effects on transparent and translucent surfaces. White media on dark grey paper
Comparison of two acrylic paintings of a leafless tree with colorful foliage around its trunk, numbered 1 and 2. Painting 1 has a blue sky background with a mix of warm and cool colored leaves and branches. Painting 2 depicts a brighter scene with a
Atmospheric perspective, using layering
Atmospheric depth, muted colour, layers
Waterlilies base on Claude Monet
‘Monet lilies sequence
Abstract flowers examples
Exploring shapes using expressive ink
Using sounds as stimulus for drawing
Simple shapes using ink effects
Warm-up atmospheres
‘Pears’ using specific colour combos
Apple sequence
Landscape sequence
Landscape sequence final piece
Simple landscape
Starting point for fragmented still-life collage
Collage created through rearrangement of cutout fragments
Using expressive paint methods
Colour exploration for Foundation Year
Layering and warm-ups
Sequence leading to Hazel portrait final piece
Sequence of layers leading to final painting
Cubism ideas
Mark making/scraping
‘With an apple, I will astonish Paris’ Cézanne
Exploring colour combos on cylendar shapes
Stencilling
Figures in movement; static/dynamic, ink
Compositional starting points, layering
Paint effects
Cubism collage idea
Cubism ideas
Cubist idea
Ground and layering to suggest volume
Stencilling layers
Cubism ideas
Layering
Exploring tone through layering
Composition based on colour combos
Transitions using varied paint methods
Figures, acrylic, based on the ink studies
Face based on Zorn colour palette and Seurat pointillist style
Cézanne style using a colour ground
Cézanne style using a colour ground
Self portrait using sponge and stencil
Heads exploring colour combos
Exploring colour mixing
Sequence demonstrating simplification of shapes
Complementary relationships

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