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Light effects on transparent and translucent surfaces. White media on dark grey paper
Comparison of two acrylic paintings of a leafless tree with colorful foliage around its trunk, numbered 1 and 2. Painting 1 has a blue sky background with a mix of warm and cool colored leaves and branches. Painting 2 depicts a brighter scene with a
Atmospheric perspective, using layering
Atmospheric depth, muted colour, layers
Waterlilies base on Claude Monet
‘Monet lilies sequence
Abstract flowers examples
Exploring shapes using expressive ink
Using sounds as stimulus for drawing
Simple shapes using ink effects
Warm-up atmospheres
‘Pears’ using specific colour combos
Apple sequence
Landscape sequence
Landscape sequence final piece
Starting point for fragmented still-life collage
Collage created through rearrangement of cutout fragments
Using expressive paint methods
Colour exploration for Foundation Year
Layering and warm-ups
Sequence leading to Hazel portrait final piece
Sequence of layers leading to final painting
Cubism ideas
Mark making/scraping
‘With an apple, I will astonish Paris’ Cézanne
Exploring colour combos on cylendar shapes
Stencilling
Figures in movement; static/dynamic, ink
Compositional starting points, layering
Paint effects
Cubism collage idea
Cubism ideas
Cubist idea
Ground and layering to suggest volume
Stencilling layers
Cubism ideas
Layering
Exploring tone through layering
Composition based on colour combos
Transitions using varied paint methods
Figures, acrylic, based on the ink studies
Face based on Zorn colour palette and Seurat pointillist style
Cézanne style using a colour ground
Cézanne style using a colour ground
Self portrait using sponge and stencil
Heads exploring colour combos
Sequence demonstrating simplification of shapes